Naija Music – The Music Of Nigeria. For anyone individuals unfamiliar with Naija Common music – this is actually the sound emanating from the Nigerian Favorite music scene. African music is, on the whole, as diverse as the cultures found through the continent with every region enjoying their own unique kind of popular music combined with a multitude of instruments many Westerners are new to.
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Nigerian Common music includes from Folk Music to much of the Common Music found through the entire world. There are several indigenous and ethnic peoples in Nigerian – therefore it really should not be surprising that each ethnic group enjoys its own unique favorite music flavour and instrumentals, poetry and common music style.
Are you aware, as an example, that traditional favorite music found in Nigeria is closely connected to its agriculture, with certain instruments not being able to be played during various seasons? Labour songs certainly are a common type of indigenous Nigerian well-known music that helps to keep the rhythm of workers in fields along with the river canoes (think slave songs in the Deep South).
The history is frequently told regarding the mother cheetah who comes back home through the hunt to locate her cubs happen to be trampled to death by elephants. Realizing that she actually is no match for these giants, she blames and kills a herd of goats. Similarly, when a small group of Kenyan musicians took towards the streets the other day calling at a lower price Nigerian and Tanzanian music, they were killing goats. The elephant in this instance is history. However, not history is really a match for innovation.
It’s funny, but the country music star Kenny Rogers comes to Kenya today, charge an arm and a leg, and play monthly of sold-out stadium gigs. Yet his heyday is in the ‘80s. The same holds true for top-tier Nigerian acts. Their time, however, has become. Kenya seems predisposed to preferring the foreign, the exotic, the western. At the risk of being charged with talking about ‘that old trope,’ all of it began with all the erosion of our culture once the colonialists came. Colonialism eroded Kenyan culture I daresay a lot more than it did in West Africa, in Uganda, in Tanzania. Kenya was a settler state. The Brits had no plans of going anywhere. Ever. And then in their assistance, and under duress, we threw the culture baby out with the pagan bath water and planted the Church and the Union Jack within the scene of the crime dressed up in mandatory, state-issued calico cloth threatened by the both mental and physical whips of our settler masters. So when the new government in independent Kenya clamped on the Funk movement of the late 70s along with all other artistic expression, threatening and jailing academics in the universities and strangling the media, we shrunk into our cocoons, allowing ourselves instead to be satiated and sedated by the likes of ABBA, The Bee Gees and The Beatles. Homegrown innovation was dealt a blow that will take us decades to recoup from. I used to be born middle class (and English-speaking) inside the ‘70s. My predilection for many things Western was established early in life. I might be irritated, nay embarrassed, when I’d get back home from school and locate the housekeeper blasting ‘that shady Rhumba.’ After I began my music career inside the 90s there weren’t many Kenyan musicians to appear up to. Anyone that had was able to record anything was condemned by society to dying, drunk or living poor, a consequence of ‘loose morals and bad choices.’
I’m always slightly embarrassed once i introduce myself to folks I meet across the continent. I’m ‘Eric,’ whilst the South Africans are ‘Kgomotso’; the Nigerians are ‘Olusegun.’ Even as the Tanzanians could be ‘Damien’- pronounced ‘Da-mi-YEN’- they speak Kiswahili with your ease and fluidity having studied subjects like Biology inside their national language. The Kiswahili language rolls off their tongues like honey to the easy beat of Bongo Flavour, as near that you can be able to Zouk singing on dry land. Consequently, in Tanzania, American Idol loses pride of location to Project Bongo, a real possibility show centering on homegrown talent. Conversely, urban Kenyans get so far as Sheng, a hybrid of Kiswahili and vernacular ipebrc so diverse that kids from estates separated by as low as a highway have different names for the same thing. Sheng dictionaries become obsolete by the time they visit press, owing to the rapidity inside the change of vocabulary. A Sheng speaker can date one to within a year of the birth, locate your property to in a street by the word you make use of for ‘car’ or ‘mobile phone.’ Inside the rural areas, Kiswahili is just as foreign as Greek, and is also spoken only by people who might have picked it in school or by those ethnicities whose ethnic language shares a standard Bantu base with Kiswahili, similar to that between Italian and Spanish. We claim to have a national language. Listen again.